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Art History Building

architecture construction


Art and Art History Building, University of Iowa. Iowa City, Iowa.



Program: New facilities for sculpture, painting, printmaking, graduate studios, administrative offices, gallery.
Client: University of Iowa
Architect: Steven Holl Architects
Associates in Cha 222q1623c rge: Chris McVoy, Martin Cox
Project Architects: Gabriela Barman-kramer, Li Hu
Project Team: Arnault Biou, Elsa Chryssochoides, Hideki Hirahara, Brian Melcher, Chris Otterbine, Susi Sanchez
Status: Construction

The site at the University Iowa campus is adjacent to a lagoon and a limestone cliff. Along the Iowa River, the existing building is a brick structure with a central body and flanking wings built in 1937. The Iowa City Grid extends across the river to the limestone bluffs where it breaks up. The new building straddles these two morphologies. A 1960's addition to the school extends along the river and joins the building, covering the river facing entrance.

CONCEPT: A Hybrid Instrument of Open Edges and Open Center The new building partially bridges the lagoon and partially connects the organic geometry of the limestone bluff. Implied rather than actual volumes are outlined in the disposition of spaces. Rather than an object, the building is like a "formless" instrument. Flat or curved planes are slotted together or assembled with hinged sections. Flexible spaces open out from studios in warm weather. The school's architecture represents a hybrid vision of the future half bridge-half loft, half theory-half practice, and half human-half scientific.

The main horizontal passages are meeting places with interior glass walls exposing on-going work. The interplay of light and shadow is controlled due to the shade resulting from the overlapping planar exterior. The interior floors are suspended from the light capturing planar beams, which also hold the air distribution ducts and fluorescent light pockets.

As a working and flexible teaching instrument, the building connects interior functions in spatial overlap at its center. This space is envisioned as a "social condenser" where ongoing work can be observed. Around the perimeter, the spaces overlook, overlap, and engage the natural landscape of the surroundings. The dispersion and "fuzziness" of the edges is seen as a positive way to embrace phenomena such as sunlight reflected from water on the lagoon and the up-reflected white light of freshly fallen snow in wintertime.

The principles of the most economical building type in America -- the prefabricated steel building -- are employed in the building structure and materials. Metal sheets gain strength in folding while using a minimum of material.

The richness in the architectural language is developed in the inventive use and combination of basic elements such as fluorescent tubes for lighting hidden by the bottom flange of steel beams or the merging of painted ductwork and steel structure.

The red coloring of the new building relates it to the original red brick structure, as does its relatively low landscape-embracing profile. We envision a new facility of inspiring interior spaces and natural light working like a formless instrument toward cultural production of past, present, and future art. It will be a first rate art facility placing The University of Iowa at the highest level in art education in America.


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