ALTE DOCUMENTE
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Why Chinese writing has not been replaced by some kind of alphabetic system yet, limiting the use of characters to the art of calligraphy? The reason why Chinese-speakers still use a writing system where one is forced to memorize thousands of symbols is not merely a tribute to their history and traditions, nor to artistic beauty; it's rather the unique nature of Chinese language itself that makes alternative systems unfit.
First of all, Chinese is not alphabetic but syllabic. Hindi is an example of a syllabic language that uses a few tens of symbols - only twice Western alphabets - but while it's still possible to understand an Indian word in Latin letters, one can only try to guess the meaning of a transcribed Chinese word, in spite of the fact that so-called Mandarin Chinese has more than 400 different syllables. The problem is, words are often composed of only one syllable. While classical Chinese was almost completely monosyllabic, polisyllables are becoming more and more common in modern Chinese. The average number of syllables in a word, however, is two; still too low to allow a precise individuation of a word's meaning by its transcription.
In spoken Chinese the problem is
overcome by the context and by the use of five different tones, but an isolated
syllable can be actually misunderstood in spoken language, too. Characters, on
the contrary, are impossible to misunderstood, and that is why they have always
been a unifying factor among speakers of different dialects or languages, such
as Cantonese, Korean and Japanese.
By now, the difference between writing the character ("middle")
and the correspondent transcription zhong should be clear, because while
the former is immediately recognizable among 50.000 some symbols, the latter
could well be meaning, for instance, "clock" ()
or "loyal" (),
each of them pronounced exactly the same.
So
is it transcription useless? Actually, it is on of the easiest ways to memorize
characters and their pronounciation, because it codifies a huge range of sounds
that are only slightly different to a Western ear. The People's Republic of
China promotes the diffusion of "pinyin" transcription, an alphabet
of 26 letters, the same of the English alphabet, but outside China a different
transcription is still widely used, especially for classical Chinese: the
so-called "Wade-Giles" system. The latter makes it easier to guess
the correct pronounciation of syllables... but once you have learned the few
rules of pinyin you will hate it.
A few examples of the differences among these two systems:
Character |
Wade-Giles |
Pinyin |
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chih |
zhi |
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hsien |
xian |
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ts'ao |
cao |
There are other systems, such as the one used in France, which is similar to Wade-Giles, and the Chinese Phonetic Script ( zhuyin zimu), which uses special symbols. Of course we will use the pinyin transcription for the characters we'll present.
Chinese
writing has actually undergone some kind of modernization. You may have noticed
that Taiwanese and emigrants use different characters from continental Chinese;
the reason why is that people outside China still use traditional characters ( fanti
zi). In the Sixties the government of the People's Republic of China, on
the contrary, decided to simplify most characters and therefore reduce the
number of strokes that compose them. Mathews' Chinese-English Dictionary,
published in 1931, contains characters of up to 28 strokes, while the majority
of characters can be written nowadays with no more than ten strokes.
Here we are with three examples:
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became |
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guo (country) |
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became |
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ma (horse) |
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became |
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ti (body) |
In the following tutorial we will learn simplified characters ( jianti zi)... but who knows? Maybe you'll have the chance to know more on traditional ones in future pages on classical and medieval Chinese...
The origin of Chinese writing is commonly placed around the XIV century b.C., around 3400 years ago. The first real "characters" are those found on the bones used for divination under the Shang and Zhou dynasties, which form the so-called jiagu wen ( ). On the right, an example of oracular inscription on ox bone. The study of this language began at the beginning of this century, but hundreds of symbols among the 4500 found on oracular bones haven't been translated yet. The following phase in the evolution of Chinese characters is represented by the symbols encarved on bronze vessels from the Zhou dynasty onward (XI century b.C), a writing known as jin wen ( ). Characters began to be written with brush and ink around the V-IV century b.C., first on wood, bamboo or silk. The latter was still used also after paper substituted wood tablets. |
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The need for a codified writing brought to the creation of many different styles that substituted one another century after century. The first was the da zhuan or Big Seal style ( ), used from the VIII century b.C. The xiao zhuan ( ), Small Seal, was created by the Prime Minister of the first Chinese emperor. It was substituted by li shu ( ), Administrative Style, a far easier and clearer writing that marked a turning-point in the development of modern characters, now more and more abstract and far from the original pictographs. This trend continued with kai shu ( ) or Exemplar Style (on the left), created during the Han dynasty. Cao shu ( ) or Cursive was also born under the Han dynasty, around the I century c.e. |
The
evolution of the character qu (to go) is illustrated below, from
oracular bones to inscriptions on bronze, to Small Seal style, Administrative
Style, Exemplar Style and Cursive. The original pictograph showed a man going
out of his cave.
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Far from being complicated drawings, Chinese characters are made out of simple single strokes, all of them variations of only eight basic ones. All strokes have their own name and are written according to a few rules. It's very important to learn to recognize them, since the number of strokes in a character is often the easiest way to find it in an index... but this will become clear after learning radicals and the use of dictionaries.
The following are the first six strokes, the fundamental ones:
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heng |
horizontal
stroke |
as in the cha 111x239b racter |
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shu |
vertical
stroke |
as in the cha 111x239b racter |
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pie |
down
stroke to the left |
as in the cha 111x239b racter |
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na |
down
stroke to the right |
as in the cha 111x239b racter |
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dian |
dot |
as in the cha 111x239b racter |
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ti |
upward
stroke |
as in the cha 111x239b racter |
The last two strokes have several different variations. The first group is composed by five strokes with a hook:
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henggou |
horizontal stroke with a hook |
as in the cha 111x239b racter |
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shugou |
vertical stroke with a hook |
as in the cha 111x239b racter |
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wangou |
bending stroke with a hook |
as in the cha 111x239b racter |
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xiegou |
slant stroke with a hook |
as in the cha 111x239b racter |
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pinggou |
level bending stroke with a hook |
as in the cha 111x239b racter |
And the following by two single strokes with a turn:
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shuzhe |
vertical stroke with a horizontal turn to the right |
as in the cha 111x239b racter |
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hengzhe |
horizontal stroke with a vertical turn |
as in the cha 111x239b racter |
Combined strokes are made out of basic ones. The following are a few examples:
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shuwangou |
vertical stroke combined with a level bending stroke with a hook |
as in the cha 111x239b racter |
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piedian |
down stroke to the left combined with a dot |
as in the cha 111x239b racter |
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shuzhezhegou |
vertical stroke with a double turn and a hook |
as in the cha 111x239b racter |
If a character can be compared to a word in alphabetic languages, then strokes are like letters... learning them is the key to memorize characters. And then, characters don't only need to be correct, they should also be as beautiful and balanced as possible. It is therefore necessary to copy the single strokes many times (be it with a brush or, much easier, with a pen) to memorize their shape and thickness.
The way strokes are combined into characters involves learning a few rules on stroke order; this will be the goal of our next lesson.
Strokes are combined together according to a few fixed rules (and to several exceptions!). Learn these rules, because they're of great help for memorizing characters. They are also fundamental in case you need to recognize the first stroke of a character, but we'll talk about that again.
Strokes at the top before those at the bottom
The character |
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is written this way: |
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The character |
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is written this way: |
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Strokes to the left before those to the right.
The character |
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is written this way: |
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The character |
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is written this way: |
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Containing strokes before contained ones
The character |
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is written this way: |
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The sealing horizontal stroke must be written last ("close the door after you have entered the room") |
The character |
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is written this way: |
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But:
The character |
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is written this way: |
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Vertical stroke in the middle before those on both sides or at the bottom.
The character |
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is written this way: |
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The character |
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is written this way: |
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But:
The character |
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is written this way: |
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The fundamental rules - from top to bottom and from left to right - are easily understandable, since they are used in Western writings, too. The others on the contrary need a few exercise. Be sure to learn from the beginning the correct way each different character should be written; otherwise you may find yourself repeating the same mistakes over and over without realizing it, especially when you'll know hundreds of characters
All
characters contain a particular component called "radical" or
"side". These elements were once characters themselves, but some are
no longer recognizable as such. Learning the radicals helps to categorize and
memorize characters; the presence of a certain radical can even suggest the
meaning of the whole character, which often relates to the original form of the
radical. On the other hand, the non-radical component of the character often
suggests its pronounciation, or viceversa.
Chinese dictionaries contain more than 200 radicals, but you will easily
memorize the most common ones. In the following lessons we'll present 60
radicals, each of them followed by three characters that contain them, by
compounds and notes on their use.
Please note that the shape of a radical changes according to its position in
the character, and that the same radical could well be found at the top of a
character and on the left side of another: our examples couldn't always show
all of the possibilities. As for the pinyin transcription, we didn't put
the tones (pronounciation doesn't really concern us by now) nor the umlauts
that certain syllables have.
Radicals |
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Original |
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Pinyin |
yan |
dao |
ren |
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Meaning |
word |
knife |
man |
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Examples |
leng |
jing |
shuo |
dao |
xiu |
Compounds |
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The first radical is called the "two drops of water"; it usually appears in characters that have to do with coldness. It's placed at the left side of characters.
This radical always stays on top of characters.
This radical is called "speech", and it appears at the left side of characters that have to do with language.
The original form of the "knife" is also a radical; it's found at the bottom of characters, as in the first of the following. The second character shows a third form of this radical (placed on top):
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fen |
to divide |
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zheng |
to argue |
The fifth radical is called the "standing person", and is always placed at the left side of characters. The character it comes from can also be used as a radical; in that case it always stays on top, as in the following character:
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zhong |
crowd |
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Radicals |
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Original |
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Pinyin |
men |
zou |
tu |
da |
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Meaning |
door |
to walk |
soil |
big |
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Examples |
jian |
jin |
di |
cao |
tai |
Compounds |
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The original form of this radical is also a radical, as in the following character:
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chao |
to exceed |
The original form of the "soil" is also radical, and is always placed at the bottom, as in the following characters:
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chen |
dust |
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zuo |
to sit |
Radicals |
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Original |
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Pinyin |
shou |
kou |
shan | ||
Meaning |
hand |
mouth |
mountain | ||
Examples |
da |
jiao |
guo |
dao |
hang |
Compounds |
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The original form of the "hand" is also a radical, placed at the bottom or on the left:
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na |
to hold, to take |
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bai |
to worship, to respect |
The "mouth" is not always placed on the left of characters, as in the following examples:
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ming |
name |
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shi |
history |
This radical also stays on top or at the bottom of characters:
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sui |
year |
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yue |
high mountain |
Radicals |
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Original |
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Pinyin |
shi |
shi |
quan |
nu |
zi |
Meaning |
corpse |
food |
dog |
woman |
son |
Examples |
wei |
fan |
gou |
nai |
sun |
Compounds |
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The original form of the "dog" is also a radical, as in the following character:
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ku |
to cry |
This radical can also be found at the bottom of characters:
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qi |
wife |
The "son" is not always placed on the left of characters, as in the following example:
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xiao |
filial piety |
Radicals |
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Original |
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Pinyin |
ma |
si |
huo |
fang |
hu |
Meaning |
horse |
silk |
fire |
square |
door |
Examples |
qu |
hong |
lie |
fang |
jian |
Compounds |
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The "horse" is also found at the bottom of characters, as in the following:
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ma |
to curse |
The original form of the "fire" is also a radical, placed on the left of characters, as in the following examples:
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deng |
lamp |
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yan |
smoke |
This radical also stays at the bottom of characters:
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pang |
side |
Radicals |
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Original |
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Pinyin |
shi |
yu |
mu |
che |
ri |
Meaning |
to show |
jade |
tree |
vehicle |
sun, day |
Examples |
li |
wang |
lin |
lun |
shi |
Compounds |
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The original form of this radical is also a radical, found at the bottom of characters:
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jin |
to forbid |
The "tree" also stays on top or at the bottom of characters, as in the following examples:
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li |
plum |
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zhuo |
table |
This radical is not always found on the left side of characters:
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star |
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chun |
spring |
Radicals |
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Original |
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Pinyin |
bei |
jian |
niu |
yue - rou |
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Meaning |
shellfish |
to see |
ox |
moon - flesh, meat |
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Examples |
fu |
guan |
wu |
shou |
gan |
Compounds |
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Radicals |
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Original |
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Pinyin |
qian |
yi |
shi |
mu |
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Meaning |
to owe |
sickness |
clothes |
stone |
eye |
Examples |
ci |
bing |
bu |
sha |
mei |
Compounds |
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Radicals |
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Original |
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Pinyin |
tian |
jin |
he |
niao |
yang |
Meaning |
field |
metal, gold |
cereal |
bird |
sheep |
Examples |
dian |
zhen |
si |
ji |
yang |
Compounds |
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Radicals |
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Original |
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Pinyin |
mi |
zhou |
chong |
zhu |
yu |
Meaning |
rice |
boat |
insect |
bamboo |
feather |
Examples |
fen |
hang |
wen |
fu |
chi |
Compounds |
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By alphabetical order
The easiest way to find a character in a dictionary is the Western one: by
alphabetical order. Of course, you will need to know the pinyin (or
Wade-Giles, depending on the dictionary) transcription for your character, and
possibly its tone - take a look at how many characters are there under the
syllable ji or shi. In most dictionaries characters are ordered
by alphabet and by tone, but not all of them... the notorious Mathew's
Chinese-English Dictionary is by alphabet (though a weird alphabet, with, for
instance, sung coming before sha), but not by tone.
In the end, the more characters you know, the faster you will find them on a
dictionary, also because experience will help you "guess" the
pronounciation of characters you've never seen by the elements that compose
them - even though this is not a precise method, on the contrary! A couple of
examples:
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is pronounced jiao like its component |
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But:
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is pronounced chong while its component |
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is pronounced zong |
By radical
What you must learn is to find characters by radical (what have we
learned them for?). First you need to identify the radical in a character,
which is most times easy. Let's try to find a character with a radical we
didn't learn in the tutorial:
1. This is the character we have to find: |
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2. Let's find its radical. It's at the top: |
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3.
This radical is composed of one stroke. |
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4.
The rest of the character |
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Don't worry; it's easier than it seems. A little practise and you will immediately understand where the radical is. There are, however, a few difficult radicals; you better learn some characters once for all, because finding them could be really hard. They're usually very common and composed of few strokes. A couple of examples:
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chang (long) |
also has radical number 4: |
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chu (to exit) |
has radical number 3: |
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By number of strokes
This is a very useful method in case you can't find the radical of a character,
but not every dictionary allow you to use it.
1. This is the character we have to find: |
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2.
It is composed of 12 strokes |
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3. The first two strokes of this character are: |
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4. So we'll look for this character here: |
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The "corners"
The last method is a very difficult one... According to it, the different shapes of strokes are given a number from 0 to 9: |
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Characters are then classified after the number of their four corners (and according to many rules), as in the following example:
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In the second table we can now find our character:
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And that's all. Hope you had some fun throughout this tutorial!
This page lists the characters used as examples in the 12 lessons on the radicals.
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