Wayne Shorter was considered "the idea
man" behind Miles Davis's legendary 60s quintet, and the tenor and
soprano sax player brings this creative input to the Hancock - Shorter
quartet. Since that era nearly twentyfive years ago, Shorter has continually
proved that he is one of the top reedmen in contemporary music.
Born August 25, 1933, in
Newark, New
Jersey, Shorter served in the U.S. Army from 1956
to 1958. He then began working with pianist H 24124y2411y orace Silver and as his
reputation in New York City
grew, Shorter found himself performing with the Maynard Ferguson band. This
lead to a stint with Art Blakey that lasted from 1959 to 1963, by which time
the saxophonist was clearly established as a newcomer to watch.
Shorter first recorded as a leader on the Vee Jay label, with albums such as Second
Genesis, Blues A La
Carte, and Wayning Moments. From there he
recorded a series of albums on Blue Note, all of them with top sidemen,
beginning with Night Dreamer and Juju on through Adam's
Apple and Schizophrenia.
Concurrent to this Blue Note period, Miles Davis brought the musician into
his group in 1964 and Shorter, along with Herbie Hancock, Ron Carter and Tony
Williams, created a sound with a bandleader that changed the face of the jazz
during that tumultuous decade. The group stayed together until 1970, when
Shorter formed Weather Report with Joe Zawinul.
Through his solo career and his work with Weather Report, Shorter helped to
redefine the new hybrid of music that borrowed from a variety of forms, from
jazz and rock to classical and electronic. He won the Downbeat poll on
soprano nearly every year after 1969 (and he continues to have many fans who
will listen to him in any musical context).
In 1974 Shorter recorded a landmark solo album entitled Native Dancer
on Columbia,
which reached the top 200. The session included an impressive array of musicians
like the Brazilian vocalist Milton Nascimento, Airto and Herbie Hancock on
variously recorded tracks.
Shorter's talents were in demand in more than the jazz world around this
time, as he found himself recording with top pop artists like Joni Mitchell
and Steely Dan. When Hancock put together his VSOP quintet to reprise the 60s
Miles Davis sound, Shorter made his contribution along with Carter, Williams
and Freddie Hubbard on trumpet.
The motion picture "Round Midnight" (which garnered Hancock an Academy
Award for best soundtrack) featured Shorter's playing on both tenor and
soprano. He formed a rewarding and unusual alliance with pianist Michel
Petrucciani and guitarist Jim Hall
to record the album Power of Three.
This period found Shorter forging ahead in new directions with his music, as
1986's Phantom Navigator album demonstrated. It contained four
kayboards and a battery of drum machines as an expansion of the electronic
sound that the saxophonist had developed with Weather Report.
Just as Miles Davis had helped to "discover" Shorter in the early
60s, Shorter has in turn focused the spotlight on a number of excellent
players in his own band. Thirty-year old keyboardist Jim Beard, 25-year old
drummer Terry Lyne Carrington, 36-year old percussionist Marilyn Mazur are
the newcomers who have backed Shorter in recent years.
Throughout his career, Shorter has shown that he was well aware of those who
came before him and influenced his style: Coleman Hawkins, Lester Young, Ben
Webster and Charlie Parker. As he gained his own musical signature, he took
off from where John Coltrane and Eric Dolphy had ended, beginning to use his
music to tell stories like an impressionist painter.
Bob Blumenthol of Rolling Stone has called Shorter "the most
self-effacing great musician of the past twenty years. A stunning composer as
saxophonist".
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